2025. no 2. Ismet Zaatov
Ethnocultural basis of the formation process of the Crimean Tatar art culture
and decorative and applied art (5)*
Ismet Zaatov
Marjani Institute of History of the Tatarstan Academy of Sciences;
Fevzi Yakubov Crimean Engineering and Pedagogical University;
Institute of Cultural Anthropology and Folklore under Khazar University
Abstract. The interpenetration of ethno-confessional cultures and art of the Tatar, Seljuk, Armenian, Jewish, Greek Orthodox and Italian population of the Crimean Khanate, at the initial stage of its existence, contributed to emergence of the national cultures on the map of the world of the Crimean Tatar artistic cultural and decorative arts, which began to experience the direct influence of the post-Byzantine – Turkic Islamic culture of the Ottoman Empire, the impulses of which penetrated into the Crimean Tatar cultural environment through the capital Bakhchisarai, Ottoman Kefe and the settlements of the Tat region of Crimea.
Keywords: artistic culture, Crimean Tatars, Armenians, Jews, Greeks Orthodox, Tats, Ottomans, Crimean Khanate, Kefe, Tat Ili, Turkization, Islamization
For citation: Zaatov I.A. Ethnocultural basis of the formation process of the Crimean Tatar art culture and decorative and applied art (5). Krymskoe istoricheskoe obozrenie=Crimean Historical Review. 2025, vol. 12, no. 2, pp. 102–127. DOI: 10.22378/kio.2025.2.102-127 (In Russian)
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About the author: Ismet A. Zaatov – Dr. Philosophy (Art Criticism), Cand. Sci. (Art history), Leading Researcher of the Crimean Scientific Center, Marjani Institute of History of the Tatarstan Academy of Sciences (7, Baturin Str., Kazan 420111, Russian Federation); Senior Researcher of the Research Institute of the Crimean Tatar Philology, History and Culture of the Crimea Ethnoses, Fevzi Yakubov Crimean Engineering and Pedagogical University (8, Uchebny lane, Simferopol 295015, Russian Federation); Research Fellow at the Institute of Cultural Anthropology and Folklore under Khazar University (41, Mehseti Str., Baku AZ1096, Azerbaijan); zaatov@gmail.com
* Continuation. See the beginning in: Zaatov I.A. Ethno-cultural basis of the formation process of the Crimean Tatar art culture and decorative and applied art (1–4). Krymskoe istoricheskoe obozrenie=Crimean Historical Review. 2021, no. 2, pp. 134–170. DOI: 10.22378/kio.2021.2.134-170 (In Russian); 2022, vol. 9, no. 1, pp. 123–154. DOI: 10.22378/kio.2022.1.123-154 (In Russian); 2023, vol. 10, no. 1, pp. 120–146. DOI: 10.22378/kio.2023.1.120-146 (In Russian); 2023, vol. 10, no. 2, pp. 143–168. DOI: 10.22378/kio.2023.2.143-168 (In Russian).


